In 2003, Danish-Icelandic artist Olafur Eliasson, presented 'The weather project' at the Tate Modern. The exhibition featured a semi-circular screen, ceiling mirrors, and artificial mist to replicate a sunset within the Turbine hall. Viewers interacted with the installation by lying on the floor and basking in their reflections against the backdrop of an artificial sun. (Image by Olafur Eliasson). Through 'The weather project,' Eliasson delves into our connection with climate urging us to reexamine our present state, and to shift focus from our bustling city life to discussing the weather as a catalyst for change.
By invoking our familiarity with the sun Eliasson highlights our inherent relationship to nature. Spectators are instantly transformed into silhouettes as a result of the artificial glow and the sensorial experience of mist invites even the tiniest hairs on our skin into the fold. We are immediately captivated by the sublime yet our attempt to experience the suns beauty within the confines of an architectural hallway can never truly measure up to the beauty of our real sun setting in the horizon. No artist can recreate something of that magnitude and brilliance. Eliasson’s work is however both captivating and heartbreaking, demonstrating our need for dramatic reminders to acknowledge climate change and how we contribute to it.
'The weather project' attracted over 2 million visitors in it's 6 month exhibition. Eliasson’s bold statement challenges us to prioritise stewardship of our environment, recognising climate’s profound influence on our existence.